3 to 5 min is the sweet spot imo. It won’t overstay its welcome. 5 to 10, gonna depend on who did it and it’s actually quite difficult to go that long and still be good i’d imagine. Beyond 10 is either a masterpiece or masochist.
Back then electronic music(progressive, house, trance etc.), used to be 8 to 12 minutes songs.
3-5 minutes is good for normal everyday songs(pop, rock etc).
We also had to mix on vinyl by ear and try to match native tempos enough that you didn’t have to pitch more than +/-8, so tracks had long, formulaic lead-ins and outros to make that process smooth.
These days if you want to make a track longer you can just key in a loop, the pitch is corrected at any tempo (and can be adjusted to be in key), the gear measures tempo in real-time and can start tracks synced up to the correct beat measure (some small adjustments may be required) and you can jump to any part of a track, still beat-aligned, with the press of a button. You also get SMPTE, DMX, and video output if you want to control other aspects of the stage. And your record crate is a thumb drive you can stick in your pocket.
It’s not easier, it’s just different, and there are fewer restrictions.
3 to 5 min is the sweet spot imo. It won’t overstay its welcome. 5 to 10, gonna depend on who did it and it’s actually quite difficult to go that long and still be good i’d imagine. Beyond 10 is either a masterpiece or masochist.
Back then electronic music(progressive, house, trance etc.), used to be 8 to 12 minutes songs. 3-5 minutes is good for normal everyday songs(pop, rock etc).
We also had to mix on vinyl by ear and try to match native tempos enough that you didn’t have to pitch more than +/-8, so tracks had long, formulaic lead-ins and outros to make that process smooth.
These days if you want to make a track longer you can just key in a loop, the pitch is corrected at any tempo (and can be adjusted to be in key), the gear measures tempo in real-time and can start tracks synced up to the correct beat measure (some small adjustments may be required) and you can jump to any part of a track, still beat-aligned, with the press of a button. You also get SMPTE, DMX, and video output if you want to control other aspects of the stage. And your record crate is a thumb drive you can stick in your pocket.
It’s not easier, it’s just different, and there are fewer restrictions.
Time flies when you’re on ecstasy.
If music is boring then it’s the DJ’s job to make it interesting
Doesn’t matter how long the song is when you’ve got drugs and bass
I too love my DnB.